Billboard Hot 100 | Top 5 – Week of April 21, 1962
April 21, 1962 brought Elvis Presley back to the top of the Billboard Hot 100 with “Good Luck Charm.” After a run of teen-pop ballads, dance records, and vocal-group hits at #1, Elvis reclaimed the summit with the kind of confident, easygoing pop single that made him one of the most dependable hitmakers of the era.
The chart around him was full of movement and personality. Shelley Fabares slipped to #2 with “Johnny Angel,” while Dee Dee Sharp continued climbing with “Mashed Potato Time.” Chubby Checker and Dee Dee Sharp remained close behind with “Slow Twistin’,” and Rick Nelson moved into the Top 5 with “Young World.” The upper chart was still youthful, melodic, and full of dance-floor energy.
Below the Top 5, important future stories were taking shape. The Shirelles moved into the Top 10 with “Soldier Boy,” continuing the strength of girl-group pop. Joey Dee & the Starliters returned with “Shout – Part I,” and Mr. Acker Bilk’s “Stranger On The Shore” began its climb toward one of the most surprising #1 records of the year.
This week showed how rich early 1962 pop had become. Elvis could still dominate, but he was surrounded by teen idols, girl groups, dance records, rhythm and blues voices, and instrumental surprises. The Hot 100 was becoming a true snapshot of a changing musical culture.
Top 5 Songs

1. Good Luck Charm – Elvis Presley
“Good Luck Charm” rose from #2 to #1 this week, giving Elvis Presley another chart-topping hit. By 1962, Elvis had already proven he could succeed with rock and roll, dramatic ballads, movie songs, and polished pop singles. This record leaned into his lighter, more playful side.
The song worked because it felt effortless. Elvis delivered the vocal with relaxed confidence, making the lyric feel charming rather than overly sentimental. The melody was bright, the rhythm was easy, and the whole record had the friendly polish of an artist fully in control of his sound.
Its success showed Presley’s continued ability to stay relevant even as the Hot 100 grew more crowded with new names and new trends. “Good Luck Charm” may not have carried the dramatic weight of some of his earlier classics, but it was a perfect example of Elvis’ early-1960s pop appeal.

2. Johnny Angel – Shelley Fabares
Shelley Fabares slipped from #1 to #2 with “Johnny Angel,” but the song remained one of the defining teen-pop ballads of the spring. Its dreamy innocence and soft romantic tone had already made it a major favorite with young listeners.
The record’s appeal came from its simplicity. Fabares sang with a gentle sincerity that made the song feel personal and hopeful. It captured an idealized version of young love that fit perfectly into early 1960s television-era pop culture.
Even after leaving the top spot, “Johnny Angel” remained a powerful reminder of how effective sweet, melodic teen-pop could be. It was soft, memorable, and deeply tied to the era’s romantic imagination.
3. Mashed Potato Time – Dee Dee Sharp
Dee Dee Sharp climbed from #4 to #3 with “Mashed Potato Time,” continuing the rapid rise of one of 1962’s biggest dance records. After the Twist had dominated the winter, the Mashed Potato was becoming the next major dance-floor craze.
Sharp’s performance gave the record its personality. Her voice sounded young, confident, and full of fun, making the song feel like an invitation to join the party. The beat was simple and catchy, which helped the dance spread quickly.
“Mashed Potato Time” showed that dance records were not fading after the Twist. Instead, the Hot 100 was moving from one craze to the next, and Dee Dee Sharp was becoming one of the brightest new stars of that movement.

4. Slow Twistin’ – Chubby Checker with Dee Dee Sharp
“Slow Twistin’” slipped from #3 to #4, but Chubby Checker and Dee Dee Sharp kept dance music firmly inside the Top 5. The pairing connected the established king of the Twist with one of the rising voices of the new dance craze.
The record had a relaxed groove that separated it from the faster, more frantic dance songs of the period. Checker brought familiarity, while Sharp added freshness and spark. Together, they made the song feel like a continuation of the dance-floor story rather than a simple repeat.
Its Top 5 presence showed how deeply dance music was woven into early 1962 pop. Even as Elvis returned to #1, the chart still belonged partly to teenagers learning the newest steps.

5. Young World – Rick Nelson
Rick Nelson climbed from #6 to #5 with “Young World,” bringing another smooth teen-idol sound into the Top 5. Nelson had become one of the most familiar young stars of the era, and his records often carried an easy, romantic charm.
“Young World” fit comfortably into the early 1960s pop landscape. It was melodic, gentle, and aimed directly at young listeners who connected with songs about love, growing up, and idealized romance. Nelson’s understated vocal style made the record feel relaxed and sincere.
The song’s climb showed that teen idols still had a strong place on the Hot 100. Even as dance records, girl groups, and rhythm and blues were gaining ground, Rick Nelson continued to represent the polished and approachable side of early-decade pop.
More Weeks at #1 for “Good Luck Charm”
This song spent multiple weeks at #1 on the Billboard Hot 100. Explore each chart week below:
🎂 What Was the #1 Song on Your Birthday?
If you were born during the week ending April 21, 1962, this was your birthday song:
🎵 Good Luck Charm by Elvis Presley
▶ Watch and experience this song →
🎂 Try your own birthday:
- Good Luck Charm – Elvis Presley With The Jordanaires
- Johnny Angel – Shelley Fabares
- Mashed Potato Time – Dee Dee Sharp
- Slow Twistin’ – Chubby Checker with Dee Dee Sharp
- Young World – Rick Nelson
- Soldier Boy – The Shirelles
- Lover Please – Clyde McPhatter
- Love Letters – Ketty Lester
- Shout – Joey Dee & the Starliters
- Stranger On The Shore – Mr. Acker Bilk
Chart Movers This Week
Elvis Returned While New Trends Kept Rising
The April 21, 1962 Billboard Hot 100 showed Elvis Presley still fully capable of taking command of the chart. “Good Luck Charm” brought him back to #1 with a bright, polished single that fit perfectly into early 1960s pop radio.
At the same time, the chart was clearly changing around him. Dee Dee Sharp was becoming one of the year’s biggest new dance stars, The Shirelles were rising with “Soldier Boy,” and Mr. Acker Bilk was quietly climbing with “Stranger On The Shore,” a record that would soon bring a completely different mood to #1.
This was the Hot 100 at its best: familiar stars, new voices, dance crazes, girl groups, teen idols, and instrumental surprises all sharing space. April 1962 was proving that pop music could be both comfortable and unpredictable at the same time.