Billboard Hot 100 | Top 5 – Week of March 13, 1965
The Billboard Hot 100 for March 13, 1965 brought The Beatles back to #1 with “Eight Days A Week.” After jumping into the Top 5 the previous week, the record completed its climb and gave the group another chart-topping hit in America. Even with Motown, soul, novelty records, and British acts all competing heavily, The Beatles were still setting the pace.
This week also showed how quickly the chart could change. The Temptations slipped to #2 with “My Girl” after reaching #1, while The Supremes made a huge move into the Top 5 with “Stop! In The Name Of Love.” Motown now had two of the top three songs in the country, a strong sign of the label’s growing power.
Gary Lewis and the Playboys remained strong at #4 with “This Diamond Ring,” while Jewel Akens moved into the Top 5 with “The Birds And The Bees.” The mix was wide and colorful: British rock, Detroit soul, clean pop, and lighthearted novelty-flavored records all had room near the top.
Below the Top 5, Roger Miller’s “King Of The Road” continued its climb, Gerry and the Pacemakers stayed active with “Ferry Cross The Mersey,” and Herman’s Hermits made a major move with “Can’t You Hear My Heartbeat.” The March 13 chart captured 1965 in full motion.
Top 5 Songs

1. Eight Days A Week – The Beatles
“Eight Days A Week” reached #1 this week, giving The Beatles another major American chart success. The song’s climb was fast, moving from #19 to #5 and then all the way to the top in consecutive weeks.
The record had the bright harmonies, catchy melody, and easy confidence that made The Beatles so dominant on mid-1960s radio. Its title phrase was instantly memorable, and the performance carried the upbeat energy fans expected from the group.
By returning to #1, The Beatles proved again that their American chart power was not fading after the first rush of Beatlemania. They remained one of the central forces shaping the Hot 100 in 1965.

2. My Girl – The Temptations
“My Girl” slipped from #1 to #2, but The Temptations remained near the top with one of Motown’s most beloved recordings. Its stay at #1 had already marked a major milestone for the group and the label.
The song’s graceful arrangement, warm vocal, and unforgettable opening made it stand apart from many other hits of the period. David Ruffin’s lead performance gave the record a tenderness that helped it connect across generations.
Even after leaving the top spot, “My Girl” continued to feel like one of the most important songs on the chart. Its long-term reputation would only grow stronger with time.

3. Stop! In The Name Of Love – The Supremes
“Stop! In The Name Of Love” made a dramatic jump from #13 to #3, giving The Supremes another major hit near the top of the Hot 100. The move showed that their run of success was far from slowing down.
The record had all the ingredients that made The Supremes one of Motown’s most reliable hitmakers: a strong hook, polished production, and a lead vocal from Diana Ross that turned romantic warning into pure pop drama.
Its rise also gave Motown two songs in the Top 3 this week. That was a powerful sign of how central the label had become to American pop music by early 1965.

4. This Diamond Ring – Gary Lewis And The Playboys
“This Diamond Ring” slipped to #4 after its #1 run, but Gary Lewis and the Playboys were still holding strong in the Top 5. The song had quickly established the group as one of the new pop acts of the year.
Its polished sound and memorable chorus made it a natural fit for radio. While it did not carry the emotional weight of “My Girl” or the cultural force of The Beatles, it had a clean, bright appeal that helped it stay popular.
The record’s continued Top 5 presence showed that its success was not a brief flash. It remained one of the biggest pop singles of early 1965.
5. The Birds And The Bees – Jewel Akens
“The Birds And The Bees” climbed from #8 to #5, giving Jewel Akens a major Top 5 hit. The song brought a playful, easygoing sound to the upper chart, balancing the bigger pop and soul records around it.
Its light tone and catchy phrasing helped make it memorable. The record had a simple charm that worked well on radio and gave listeners a breezy contrast to some of the more dramatic songs nearby.
By reaching the Top 5, “The Birds And The Bees” became one of the notable pop hits of the season and added another distinct flavor to the March 1965 chart.
More Weeks at #1 for “Eight Days a Week”
This song spent multiple weeks at #1 on the Billboard Hot 100. Explore each chart week below:
🎂 What Was the #1 Song on Your Birthday?
If you were born during the week ending March 13, 1965, this was your birthday song:
🎵 Eight Days a Week by The Beatles
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Top 10 on the Billboard Hot 100 This Week
- Eight Days A Week – The Beatles
- My Girl – The Temptations
- Stop! In The Name Of Love – The Supremes
- This Diamond Ring – Gary Lewis And The Playboys
- The Birds And The Bees – Jewel Akens
- King Of The Road – Roger Miller
- Ferry Cross The Mersey – Gerry And The Pacemakers
- Can’t You Hear My Heartbeat – Herman’s Hermits
- The Jolly Green Giant – The Kingsmen
- Hurt So Bad – Little Anthony And The Imperials
Chart Movers This Week
Why This Chart Week Mattered
The March 13, 1965 chart mattered because it returned The Beatles to #1 while showing Motown’s growing strength right behind them. “Eight Days A Week” led the chart, but “My Girl” and “Stop! In The Name Of Love” made the Top 3 a showcase for two of Motown’s most important groups.
The week also showed how fast the Hot 100 was moving. Gary Lewis and the Playboys were still riding the success of “This Diamond Ring,” Jewel Akens had entered the Top 5, and Herman’s Hermits were suddenly moving fast below.
Looking back, this chart captures one of the reasons 1965 was such a strong year for popular music. The Beatles, Motown, British pop, novelty-leaning hits, and crossover records all competed at once, making the Hot 100 feel active, unpredictable, and full of personality.